By Leah Greenblatt
B+
Like Barry White, Jodeci, and R. Kelly before him, R&B superstar Usher is the master of a very specific milieu: music for — and about — making babies. And it has certainly served him well. Since the now 29-year-old first emerged as a precocious, buttery-smooth lothario in the mid-’90s, he’s brought home five Grammys, racked up a dozen top 10 singles, and sold more than 25 million records. So what happens when one of the biggest sex symbols in the business, who last dominated the charts with 2004’s Confessions, actually settles down and makes his own? (A baby, that is.)
The newly married dad — son Usher Raymond V was born last November — is both different and entirely the same on his fifth album, Here I Stand. One moment, he’s celebrating fatherhood with ”Prayer for You” (”You carry my name/And I pray that you’re better than me”) as his little boy gurgles in the background, or he’s reciting earnest paeans to monogamy (”Before I Met You,” ”Something Special”). The next, Usher’s groin-thrusting his way through salacious bedroom grooves like ”Trading Places” and ”This Ain’t Sex.” Indeed, the already massive single ”Love in This Club” is about as libidinous as he’s ever been: ”Let’s both get undressed right here/Keep it up girl, I swear/I’ma give it to you nonstop/And I don’t care/Who’s watchin’,” he croons over producer Polow Da Don’s shuddering, sex-drenched synths. Well then, Mr. Naughty!
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